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Guest Directors “Dream the Currents” EP

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Released February 22, 2019 this 5-song EP was recorded at Earwig Studio with Don Farwell. Listen here:

Big Takeover Magazine (print edition #84) in Jack’s Top 40: “… this Seattle group’s third EP over three years finds a distinct landing spot. Imagine Swervedriver’s slower, moodier material if Adam Franklin and Jimmy Hartridge dug Television’s Richard Lloyd and Tom Verlaine more than The Stooges’ James Williamson; that’s “Parachute On.” Whereas “Minor Mendings” comes from ’80s pre-shoegaze post-punk, like Savages, mashing McGeoch-period Banshees with Bickers-era House of Love…. Mostly, Dream is a galvanizing guitar fiesta, squalling, kneading, gnashing and glimmering into the night.”

KEXP: “This Seattle band’s third EP is a fine set of shoegazerish dream-pop.

Ball of Wax (reviewing the song “Parachute On”): “…occupies an interesting space between (or inclusive of) shoegaze and power pop. The song starts with a fairly straightforward verse/chorus arrangement, with singer/guitarist Julie D’s vocals both understated and commanding, her guitar and Gary Thorstensen’s intertwining playfully yet intentionally. (None of that tired rhythm/lead dichotomy for Guest Directors.) The rhythm section of Rian Turner and Charlie Russo provide the perfect support system to keep this sonic parachute aloft. After two verses, the entire second half of the song is given over to a mostly instrumental coda, the guitars further winding themselves up and releasing tension, building and folding in on themselves before the whole band comes crashing down together in a carefully controlled detonation. I can only imagine how delightful this joyous noise is live; I look forward to seeing for myself.

AltRevue: Guest Directors’ sound will evoke comps to earlier alt favorites such as Breeders, in short they’re stellar.

Divide and Conquer (4.0 out of 5): “…dynamic and catchy but not predictable… “Minor Mendings” was the strongest song to me. The song starts with a slick drum pattern and dark waves of guitar feedback. There is a syncopated bass line that mirrors a similar pattern to “Airbag” by Radiohead. All the elements come together on the verse and I also thought the uplifting almost angelic vocals was where the singer shined. The song falls into beautiful chaos before getting back to the verse. Around the four-minute mark the song gets into post-rock territory with a wall of sound…..There are a lot of things in this EP which made me love music so much in the first place. Don’t pass this up.”


  • Parachute On
  • For a Day
  • Minor Mendings
  • Where You Belong
  • Twinkle, Twinkle, Bête Noir

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